This monograph explores and investigates key issues facing Middle Eastern societies, including religion and sectarianism, history and collective memory, urban space and socioeconomic difference, policing and securitization, and gender relations. In the Middle East, television drama creators serve as public intellectuals who, with uncanny prescience, tell the world something. As this volume demonstrates, fictional television provides a crucial space for social and political debate in much of the region. Writing from a range disciplines—anthropology, communication, folklore, gender studies, history, and law— contributors include seasoned academics who have dedicated their careers to researching Middle Eastern media and emerging scholars who build on earlier work and introduce fresh perspectives. Together, they provide an invaluable overview of Middle Eastern serial television and their political impact, drawing examples from Afghanistan, Egypt, Iran, Syria, and Turkey. Bringing together a diverse range of academic perspectives, this book will be of key interest to students and scholars in media and communication studies, Middle Eastern Studies, and popular culture studies.

As Syria's anti-authoritarian uprising and subsequent civil war have left the country in ruins, the need for understanding the nation's complex political and cultural realities remains urgent. The second of a two-volume series, Syria from Reform to Revolt: Culture, Society, and Religion draws together closely observed, critical and historicized analyses, giving vital insights into Syrian society today. With a broad range of disciplinary perspectives, contributors reveal how Bashar al-Asad's pivotal first decade of rule engendered changes in power relations and public discourse-dynamics that would feed the 2011 protest movement and civil war. Essays focus on key arenas of Syrian social life, including television drama, political fiction, Islamic foundations, and Christian choirs and charities, demonstrating the ways in which Syrians worked with and through the state in attempts to reform, undermine, or sidestep the regime. The contributors explore the paradoxical cultural politics of hope, anticipation, and betrayal that have animated life in Syria under Asad, revealing the fractures that obstruct peaceful transformation. Syria from Reform to Revolt provides a powerful assessment of the conditions that turned Syria's hopeful Arab spring revolution into a catastrophic civil war that has cost over 200,000 lives and generated the worst humanitarian crisis of the twenty-first century.

As Syria's anti-authoritarian uprising and subsequent civil war have left the country in ruins, the need for understanding the nation's complex political and cultural realities remains urgent. The second of a two-volume series, Syria from Reform to Revolt: Culture, Society, and Religion draws together closely observed, critical and historicized analyses, giving vital insights into Syrian society today. With a broad range of disciplinary perspectives, contributors reveal how Bashar al-Asad's pivotal first decade of rule engendered changes in power relations and public discourse-dynamics that would feed the 2011 protest movement and civil war. Essays focus on key arenas of Syrian social life, including television drama, political fiction, Islamic foundations, and Christian choirs and charities, demonstrating the ways in which Syrians worked with and through the state in attempts to reform, undermine, or sidestep the regime. The contributors explore the paradoxical cultural politics of hope, anticipation, and betrayal that have animated life in Syria under Asad, revealing the fractures that obstruct peaceful transformation. Syria from Reform to Revolt provides a powerful assessment of the conditions that turned Syria's hopeful Arab spring revolution into a catastrophic civil war that has cost over 200,000 lives and generated the worst humanitarian crisis of the twenty-first century.

" F]illed with rare encounters with Syria s oldest, most elite families. Critics of anthropology s taste for exoticism and marginality will savor this study of upper-class Damascus, a world that is urbane and cosmopolitan, yet in many ways as remote as the settings in which the best ethnography has traditionally been done.... Written] with a nuanced appreciation of the cultural forms in question and how Damascenes themselves think, talk about, and create them." Andrew Shryock

In contemporary urban Syria, debates about the representation, preservation, and restoration of the Old City of Damascus have become part of status competition and identity construction among the city s elite. In theme restaurants and nightclubs that play on images of Syrian tradition, in television programs, nostalgic literature, and visual art, and in the rhetoric of historic preservation groups, the idea of the Old City has become a commodity for the consumption of tourists and, most important, of new and old segments of the Syrian upper class. In this lively ethnographic study, Christa Salamandra argues that in deploying and debating such representations, Syrians dispute the past and criticize the present.

Indiana Series in Middle East Studies Mark Tessler, general editor"

Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world-Algeria, Egypt, Lebanon, Morocco, Palestine, and Syria. Although they have produced many of the region's most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism-theirs is a cinema engage. The featured directors are Daoud Abd El-Sayed, Merzak Allouache, Nabil Ayouch, Youssef Chahine, Mohamed Chouikh, Michel Khleifi, Nabil Maleh, Yousry Nasrallah, Jocelyne Saab, and Elia Suleiman.

Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films. The filmmakers profiled here represent principal national cinemas of the Arab world—Algeria, Egypt, Lebanon, Morocco, Palestine, and Syria. Although they have produced many of the region's most-renowned films and gained recognition at major international festivals, with few exceptions these filmmakers have received little critical attention. All ten share a concern with giving image and voice to people struggling against authoritarian regimes, patriarchal traditions, or religious fundamentalism—theirs is a cinéma engagé. The featured directors are Daoud Abd El-Sayed, Merzak Allouache, Nabil Ayouch, Youssef Chahine, Mohamed Chouikh, Michel Khleifi, Nabil Maleh, Yousry Nasrallah, Jocelyne Saab, and Elia Suleiman.